Vox Populi Gallery / Philadelphia, PA
Dimensions Variable (Installed within a traditional gallery space). 15 found photographs, xerox photocopied texts, self-authored texts, inkjet prints, woodblock prints, monoprints, newspaper clippings, vintage magazines, vintage books, fabric [felt, faux leather, vinyl, mesh, linen], embroidery thread, stockings, glass, human hair, paper [vellum paper, Japanese rice paper, kraft paper, chalkboard paper, post-it notes) black grocery bags, birch wood panels, black frames)
This text-based installation maps my research exploring blackness, citizenship, belonging and temporality as it relates to master narratives around post-racial futures, historical continuity, and teleological progress. Progress is traditionally presented as a linear movement. However, history rarely operates this immaculately and there are moments of temporal jam-ups – remission to past patterns and guest appearances of structural haunts. I explore ideas of progress, how pre-fabricated narrative arcs shape the way American histories of race relations are conceptualized and the ruptures – those moments where the narrative of immaculate and linear racial progress in America glitches or stutters a bit.